We are a film composer duo from Vancouver & Vienna working with remarkably talented recording musicians from around the world.

Edo Van Breemen and Johannes Winkler are a cross-continental composer duo working at the edges of classical composition, electronic texture, and cinematic storytelling. Their process is collaborative and layered—rooted in a shared fascination with how sound moves, feels, and shapes narrative.

They first met on a music video shoot in Tuscany in 2010, and their working relationship has evolved organically over time, merging two distinct musical paths into one curious and evolving voice. Drawing on a wide circle of collaborators across Europe and North America, their scores often blend acoustic instruments, spatial sound, analog processing, and quiet experimentation.

Edo’s background winds through classical piano, environmental science, touring bands, and the DIY scenes of Vancouver and Brooklyn. Along the way, he’s collaborated with experimental musicians like Nadia Sirota and Rafiq Bhatia (Son Lux), Alexander Overington (Radiolab) co-founded Lobe—a spatial sound studio in Vancouver—and written music for film, often bending genre and form. He was the director of legendary Canadian record label, responsible for first signings of Mac DeMarco, Japandroids, etc. Edo's close relationship with Oddfellows & Osgood Perkins resulted in the outrageous horror score for Stephen King's "The Monkey".

Johannes, based in Vienna, moves fluidly between contemporary composition and production, with a background in jazz drums and a master’s degree in classical composition and sound engineering. His work includes scoring films and series for directors such as Roger Ross Williams and T.J. Martin, as well as collaborations with artists like Rusanda Panfili and Klangkarussell. His current solo project, Echoes, explores tape loops, piano, and layered performance.

Together, Edo and Johannes approach film scoring as an open-ended dialogue—between sound and image, space and story, structure and spontaneity.